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This text is for reference purpose only and may not be used in any way or modified without my permission or citation.

Fantasy on Polish Airs, A major, Op. 13, piano and orchestra, 1828

Fantasy, F minor, Op. 49, 1841

Fugue, A minor, 1841

Even though Chopin always gave the highest appreciation to Bach, he did not devote to this classical form without any modification. Chopin did not have a fugue part after each prelude in his series of preludes Op.28. This unique Fugue has two voices. Unlike Schumann or Mendelssohn who was obsessed with fugue usage in piano quintets and symphonies, Chopin attempted this only fugue to pay homage to Bach, not to promote or develop it into another stage. However, Chopin's fugue was less structured and more melodic like in Mendelssohn's and other post-classical's fugues.

Funeral March, C minor, Op. 72 no 2, 1826-29

Galop Marquis, A flat major, 1846

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